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Ben Wakeman

  • Catch & Release
  • about
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    • I'm Just the Same As I Was
    • Waiting for the Light to Change
    • Greener
    • The Overall Distance
    • Demos
    • A Quiet Place to Sit
  • Fiction
    • Rewind, Playback
    • The Memory of My Shadow
    • Harmony House
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RichardShindell.jpg

Episode 8: Richard Shindell Knows a Good Song

April 24, 2007

Richard Shindell does not journal.  He is self-admittedly too much of a perfectionist for such reckless abandoned activity as scribbling one's every whim into a notebook.  This perfectionism has been his co-pilot in writing some of the best examples of character-driven songs in the last decade.  His songs are tightly crafted stories that explore a variety of characters in a wide range of situations, from the commonplace to the surreal, exploring their emotional depths but always staying true to the voice of the character and meticulously removing himself from the equation.

In this interview he talks about being a late bloomer as a songwriter and discusses how some of the pivotal songs in his career were written. I was pleasantly surprised to find Richard so easy to talk to and willing to talk so candidly about the inner workings of his song laboratory. 

Shindell lives in Buenos Aires with his wife and three children now and only makes it to the States these days when he is touring. I got the chance to talk with him after his sold out show at Eddie's Attic in Decatur, Georgia.

← Episode 9: Vienna Teng Makes a Name for HerselfEpisode 7: Craig Cardiff Finds Meaning In This Business →

SHORT STORIES

LONGER THAN A SONG, SHORTER THAN A NOVEL...

I've always been enamored by the short story. It is probably the most difficult form to master. How can you possibly transport someone into a fully realized world in just a few pages? Songs can cheat because the music does the heavy lifting. Novels have acres of open land to plant the seeds and allow them to grow, produce fruit and even die. But short stories must be dense, concentrated and focused with an engine powerful enough to tow a freight train but small enough to fit in a pocket watch.

This collection of stories represents my meager attempt to learn how the form works. There are moments I hope where I get close, but you can be the judge of that, dear reader.